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'Deaf orchestras play in silence'
by Helen O' Shea

      The last notes hung in the air and died softly. Then more than a thousand people were on their feet, clapping and cheering.

      On stage, the musicians smiled. They could see the   applause on the face of every member of the audience. Not one of them could hear it, or the calls of "More!" and "Encore!" Except for the conductor, all the members   of the orchestra were completely deaf.

      Mark saw Laura glance from the stage in his direction. She smiled at him, but there was a question in the smile. It was the one question he had not dared to ask her when   she had told him the incredible news about the orchestra for deaf people: "Does this mean you and I can play together again?"

     Looking at Laura, elegant in her long black skirt,  silver earrings swinging as she moved from centre stage  back to her place for the encore, Mark remembered his  first impression of her, nearly two years before.

     "Difficult." Laura's reputation had gone before  her, but Mark had found it hard to reconcile the fragile,  beautiful face framed by chestnut hair, with the demon  he had been expecting. He had thought of the way people  had tried to categorise him at the start of his own career. Uncompromising!" That had been a favourite criticism,  which had become, with fame, a compliment.

     Although Mark had arrived early for the rehearsal, Laura and the cellist, a small man in his fifties, had  already been practising together. He had watched Laura, lost in the music and totally unaware of his gaze, and had known his life was about to change.

     Later, when the trio stopped for a break, the cellist  produced an electronic tuning device and began laboriously  to check his strings. Mark saw Laura's mouth twitch.  She turned away, pretending to cough, but not before  she had caught his eye. He had to turn away too, because he was smiling, seeing the machine through her eyes.

    "What sort of musician doesn't trust their own ears?" she asked him later. Over the next few months, it became a joke they shared, as their lives became intertwined, first professionally, then personally.

    "Don't ever ask me to marry you," Laura said, suddenly, one night. They were in bed, having moved seamlessly from playing music to making love. Mark could feel her still rapid heartbeat against the hand resting lightly on her breast.

    "Don't imagine I ever would." They both laughed, but a dull pain started in his chest. "Why not?"

    She sighed. "My mother phoned today. Same old thing. Hooked a famous, successful, rich pianist. Make sure he doesn't get away!"

    Mark kissed her on the lips. "He's not going anywhere. Unless you go too." But the pain in his chest did not quite disappear. "Didn't you point out to your mother that you're going to be a famous, successful and rich violinist in your own right?"

    "Oh, yes." Laura was silent briefly. "Somehow she doesn't see it as quite as good, Mark."

    He woke abruptly at one o'clock in the morning. Laura was not beside him. She had mentioned that her earache had come back; perhaps she had gone to get an aspirin.

    He checked the bathroom: not there. She wasn't in the kitchen either. "Laura?" His voice echoed slightly in the empty room. Puzzled, Mark headed back towards the stairs. As he went to pass the open door of the music room he knew, although the light wasn't on, that she was in there. In the light from the hall he could see Laura's white, tearstained face bent over her open violin case.

    "I can't hear anything," she told him abruptly.

    In the casualty department of the hospital he explained to the nurse that Laura had been diagnosed with an ear infection, but that it appeared to have been cleared up by antibiotics.

    The nurse asked them to wait. "How much longer?" Mark fumed. Beside him, Laura sat with her hands in her lap, gazing into space. "Shall I get us some coffee?" he offered. "Laura?" His chest began to ache. She could not hear him.

    In the following weeks Laura went to see three different hearing specialists. All were mystified by her sudden deafness.

    "A mystery virus..." they all murmured. "Not one that tests will show up."

    Mark banged his fist on the oak desk. It was the third specialist. "We'll try someone else," he told Laura, turning his head so she could read his lips.

    She was looking at the little man on the other side of the desk, self important in his dark grey suit and red bow tie. "Will I ever get my hearing back?" Despite being unable to hear, her voice still sounded to Mark like a gently flowing stream.

    The specialist hesitated, as the other two had. "Possibly. But probably not."

    A few weeks later Laura was working in an office, earning a fraction of her former salary as a second violinist.

    Mark sat at the piano, looking at Laura's violin case propped against the wall. Next to it, her music stand still held the sheet music from their last duet. His hands rested on the keys as he sat in silence, listening to Laura laughing on the other side of the wall.

    "Stay here with us," she had said as he got up to leave the living room. But he had shaken his head and left her alone with the handsome young man who moved restlessly around the room, talking in sign language.

          She had asked Mark to go with her to the signing classes. "But your lip reading's so good," he had replied. "Why do you need to learn sign language?"

          After that neither of them had mentioned the classes.

          Mark began to play softly. There was a dull ache in his chest. He still expected to see Laura glide into the room and announce, with mock imperiousness, which piece she wanted to play with him.

    "Paul used to play the trumpet in a jazz band." The pain in his chest intensified as he remembered Laura saying those words, so casually, almost throwing them away as she left the signing class.

    "So the two of you have a lot in common." His own words had sounded almost as casual.

    The music helped even as it hurt. Mark was astonished to see tears land on the piano keys. He went on playing, occasionally wiping his eyes, and when he stopped his chest was no longer hurting.

    The door opened softly and Laura came in. "Mark?" Behind her Paul hovered in the hallway. "Paul and I have something to tell you."

    Gently, Mark closed the lid of the piano. He followed them back into the living room, and took the seat Laura indicated, opposite her.

    She could barely keep the excitement out of her voice. "You'll never guess what I'm going to say."

     "No." He hid his trembling hands behind his back.

    Her words made no sense to him. "What did you say?" he asked. Paul grinned idiotically. He said something to them both in sign language that Mark could not understand.

    "Paul told me you'd never believe me," Laura said. "We're both going to play in an orchestra. An orchestra of deaf musicians!"

    Later, Mark escaped to the kitchen to get the bottle of champagne some friends had given him and Laura for Christmas. Smiling foolishly, he held the cold bottle against his face before returning to them.

    "It's to do with visible energy fields," Laura was pacing around the room, her face glowing. "Or something!" She laughed. "I don't care! It just means I can play the violin again!"

     The next few months had been a frenzy of rehearsals. As Mark had sat at the first one among the friends and families of the orchestra members, he had been oblivious to the gusts of damp wind blowing in through the windows of the village hall. He had been aware only that the orchestra playing so beautifully on the stage before him could have been any orchestra in the world.

    "You're quite sure you're not all miming to a recording?" he had joked to Laura afterwards. "Nobody's going to believe you can't hear."

    But the familiar pain in his chest had been there as he had watched Laura's face on stage, seen the familiar look in her eyes that told him she was lost to everything but the music. He had hated to admit it even to himself, but he was jealous. Laura was sharing something with other people that once she had shared with him.

    At home, Mark and Laura had talked about the orchestra, about the first concert that was drawing ever closer, about the planned national tour. But neither had suggested they try to play a duet together.

    At last the night of the debut concert had arrived. Afterwards, as he drove them home Mark felt he was being buffeted by the sheer energy that radiated from Laura, sitting silently beside him.

     At home, she said one word only: "Yes?"

     Without waiting for his answer, she went ahead into the music room. He followed. "Damn thing," she said, looking at  the electronic tuning device she was holding, trying to smile as she used it to check her violin was still in tune.

     Mark sat down at the piano. "Going to have a quick practise on your own before I join in?"

     "No," Laura said. She stood in her old place, sideways on to him, a couple of feet from the piano.

     "I'11 come in after a couple of bars, then."

     O. K."

     Laura began. They had not had to discuss which piece; the music was still on her stand from their last duet. She sounded fine, and from her expression Mark could tell she knew it. Nobody would ever have guessed she could not hear a note she played.

    He wanted to just sit and listen to her. But he took up his part, with reluctance, after four bars. He was aware he was listening for both of them, and fought it. They sounded all right together. Not wonderful, but when they had not played together for so long, not at all bad. A few more bars, though, and Laura began to look hesitant. She frowned, the bow wobbling around on the strings. She stopped, looking at Mark, biting her lip.

    Mark stopped and waited for her to begin playing again, then joined in.

    A few more bars, and Laura once more frowned and faltered. Mark stopped and waited for her to continue before he began to play.

    Again she stumbled. Her rhythm was no longer perfect; she played a note very sharp, winced, and stopped altogether, letting the bow dangle by her side.

    "I knew it wouldn't work." There were tears in her eyes.

    "Of course it will," Mark said. "Give it time."

    "No. However it works, it's only with musicians who can't hear. Tonight, at the concert, I know I didn't make any mistakes." Laura put the violin carefully into its case, her hand stroking the wood lightly before she closed and fastened the lid. "But just now... with you..."

She paused and her eyes filled with tears. "...nothing. I couldn't hear myself."

    "We must be able to play together again," Mark insisted. "There must be a way."

    She smiled sadly. "Oh, there's a way."

    " Then . . . "

    Laura came towards him. She had taken off her shoes and he could hear her skirt gliding across the carpet.

    She faced him and placed her hands over his ears.

    "If you could choose," she said, forming each word carefully so he could read her lips, "to lose your sense of hearing, now, without any pain..."

    Laura took her hands away from his ears, "What would you decide to do?" Her words sounded unnaturally loud.

    She left the room. Mark remained seated on the piano stool, his own hands over his ears, listening to the silence.

The End


Copyright Helen O'Shea 1999 - 2000
all rights reserved.

Visit Helen's great new web site to enjoy more of her stories and contact Helen


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